Countless hours were spent hoping everything would work out, and thankfully, it did. The entire team pushed the limits of what was possible with the technology available, using Disguise, Unreal Engine, and Chapman University's LED wall. These powerhouses combined allowed us to bring the planet Sacron onto the big screen. Early in the project, I took on the VFX Supervisor and VAD Director role. Little did I know how mentally taxing and time-consuming it would be to approach Virtual Production, but we did it. Thank you to all the mentors we had along the way and the professors who guided us to the finish line. None of this would have been possible without the team never giving up hope despite all the curveballs thrown at us.

What is Virtual Production? How do you produce a film that relies so heavily on Virtual Production? This is a video I created to pitch a series that would follow the ins and outs of Virtual Production using the technology of Lightcraft Jetset. Lightcraft Jetset is a company that allows indie filmmakers to bring ICVFX with just an iPhone.